Press for Ecstasy
Mary on NPR – Alma Mahler: ‘Malevolent Muse’ or Early Feminist Composer?
The Composer Alma Mahler: What’s Her Name Podcast in Conversation with Mary Sharratt
13 reasons to get excited about Twin Cities arts in 2018 in the Minneapolis Star Tribune
Minnesota native Sharratt has built a career writing meticulously researched, fascinating historical novels about strong women forgotten by time. “Illuminations” (2012) brought to life 12th-century German mystic Hildegard von Bingen. “The Dark Lady’s Mask” (2016) might have solved the question of the identity of Shakespeare’s muse: poet Aemilia Bassano Lanier. “Ecstasy” takes up the cause of Alma Schindler, a composer in turn-of-the-century Vienna. Men fall at her feet — painter Gustav Klimt, composer Gustav Mahler, Bauhaus founder Walter Gropius, poet Franz Werfel — but Alma dreams of becoming a composer. She falls in love with Mahler, who demands she give up music if they are to marry. This book comes out from Houghton Mifflin Harcourt, and I, for one, cannot wait.
Laurie Hertzel, Senior Books Editor
Mary Sharratt Writes Women Back into History in the Chicago Review of Books
Sharratt’s ‘Ecstasy’ notes life of woman who gave up music for Mahler in the St. Paul Pioneer Press
Writing About the Ultimate Party Girl Made Me Realize How Much We Limit Women in Electric Literature
Know Their Names: Women Composers Neglected By History in Catapult
Transporting Readers to Another World in The Big Thrill
Read Mary’s interview on Hook of a Book
Press for The Dark Lady’s Mask: A Novel of Shakespeare’s Muse
Novel casts fresh light on Shakespeare’s Dark Lady on Minnesota Public Radio. (Article and audio download.)
Minnesota Native takes a fictional look at Shakespeare’s Dark Lady in the Saint Paul Pioneer Press.
On the Trail of Shakespeare’s Hidden Partner in The Big Thrill.
Press for Illuminations: A Novel of Hildegard von Bingen
Read Claire Kirch’s profile of Mary in Publishers Weekly.
Read Mary’s interview in Her Circle Ezine.
Read Mary’s article “Eight Reasons Why Hildegard Matters Now” in the Huffington Post.
A nun’s story inspires a novel. Feature article in Minneapolis Star-Tribune.
Press for Daughters of the Witching Hill
When Minnesotan Mary Sharratt moved to England, she was soon bewitched. Feature article in Saint Paul Pioneer Press.
Pendle Witches Cast Their Spell on American Author. Feature article in Lancashire Telegraph.
How I Became a Daughter of the Witching Hill. Article on Bookbrowse.com.
Press for Summit Avenue
A Fairy Tale for Grown-ups
Mary Sharratt’s turn-of-the-century Summit Avenue explores feminism, classism, and sexuality during W.W.I.
By Terri Foley
Set in the Twin Cities during World War I, Summit Avenue (Coffee House Press, $14.95) is a fictional journal of Kathrin, a 22-year-old German immigrant who describes herself as a crone who lives in the woods like a “witch in a fairy tale.” “You can read the book as an immigrant story, a woman’s quest novel, a love story, or an archetypal fable,” says author Mary Sharratt, a Minnesota native who now lives in California. “I wanted it to be a bit of a hologram, so that you can look down and see its different layers.”
Kathrin begins her American life at the Pillsbury mill sewing flour bags by day and learning English by night. She finds refuge from the hard mill life in an antiquarian book store, and she is befriended by the immigrant owners Jan Jelinek and his nephew, John. One night, Violet Waverly, a wealthy and enigmatic widow who lives on Summit Avenue, comes into the bookstore and launches the young maiden on a trek of self-discovery.
Fans of Clarissa Pinkola Estes’ Women Who Run with the Wolves, the popular Jungian analysis of female images in folk tales, will appreciate Sharratt’s weaving of the Baba Yaga and Vasalisa initiation story throughout the book. Instead of being sent like Vasalisa into the forest by her stepmother to bring back fire from Baba Yaga’s castle, Kathrin has been sent by her favorite uncle to America after her mother dies to find a better life.
“Violet is the sorceress and Kathrin is the girl with the fire that both illuminates and terrifies her,” Sharratt explains. “First she runs away, but then she comes into her power, returning to the house in the forest.”
The ending has raised questions from many readers. “I intended it to be a very positive, hopeful ending, but the different ways that readers have responded to it has been a big surprise,” she says. “People have asked for a sequel, and I probably will do one because the ending seems to have raised so many questions. The sequel I’m considering will be from Kathrin’s daughter’s perspective.”
Sharratt is working on a second novel with roots in Minnesota. Set in the 1920s, it tells the story of how three strong-willed women rebel against the structure of their small town and end up changing the community.
Sharratt grew up in Bloomington, but lived in Germany for many years. “I didn’t choose writing. It kind of chose me,” she says. “I was living in a different country and I didn’t have a television set. I’d run out of English books to read because they’re very expensive, so for relaxation in the evenings I started writing. And over a very long time, I ended up writing my own book.”
Originally published in Minnesota Monthly — January 2002